0:00 —

Ready to listen.

This volume is not the original Art of Being Struck.

I place this clarification first because prior readers have shown a durable belief that warnings are written for other people.

The original artifact remains behind the Emerald Doors at Candlekeep, under ward, supervision, and restrictions whose full list is not reproduced here. It contains active sensory-stone impressions. This Adventurer’s Edition draws only on the written accounts compiled by Orentha Vale, The Witness of Impact. It cannot reproduce those experiences.

It is not a spellbook. It concerns the receiving body: the skin before flame, the jaw before thunder, the first wrongness of a command entering the will, and the moment when force gathers in the air before the body is thrown.

A spell is often described by those who cast it. Such accounts have value, but the target knows a different truth.

Orentha Vale preserved impact.

This edition asks what may be learned before impact arrives.

Adventurers are often far from supervision, short on time, rich in confidence, and poor at stopping when told.

They do, however, sometimes carry books.

For them, I have chosen eight accounts: enough to begin, not enough to satisfy anyone with a quill and an objection.

I have arranged them for reading rather than indexing. A proper catalogue would sort by circle, school, provenance, injury pattern, or some other virtue pleasing to scholars and fatal to momentum.

Some accounts are taken from Vale’s own recollections. Others come through contributors whose judgment was variable but whose testimony remains valuable. A few preserve public incidents, later reconstructed under safer conditions because the original circumstances had already supplied quite enough danger. Each is followed, where useful, by my own note.

Do not confuse this book with safety.

At best, it is a warning small enough to carry.